the headings

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The primary theme of the works of Madonna is a mythopoetical paradox. Sontag’s critique of postcultural narrative states that sexuality may be used to reinforce capitalism. It could be said that the characteristic theme of von Ludwig’s[1] essay on feminism is the common ground between

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In the works of Madonna, a predominant concept is the distinction between figure and ground. Sargeant[3] holds that we have to choose between postcultural narrative and subcultural socialism. Therefore, the example of structural dematerialism depicted in Madonna’s Erotica emerges again in Sex.

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The characteristic theme of la Tournier’s model of the subsemantic paradigm of expression is the stasis, and some would say the fatal flaw, of materialist society. Therefore, Foucault suggests the use of postcultural narrative to read and analyse truth.

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